At this point Lana del Rey has little to prove. Almost a decade ago she decided to pose as an elegant bird on our world and expand her wings with sensual and intimate songs. Moving with extreme naturalness between the disparity of romanticism and tragedy, she began to captivate the world with the ease with which a sweet aroma would. Soon she positioned herself in the music industry, creating a niche of her own nothing exploited to date. Crown of flowers in hand, it cost her little to be adored by millions of fans, becoming a melodic goddess thanks to her voice and music reminiscent of a glamor of yesteryear. With a cold and distant attitude, the union between the most tender fragility and fierce sexuality were present in his personal songs. After five studio albums (yes, I count Paradise), Lana enjoys an omnipresent position. Lizzy Grant is an artist who has managed to get away from the trivial and commercial, and can fly free around the world without a master to obey, bypassing musical rules. The New Yorker is allowed not to follow any trend and everything falls on a fine and feminine instinct. By modulating her voice, whispering or simply sighing she is able to get our attention, to evoke our own teenage dreams. It seems that Lana has lived for a long time in a constant American film, those of towns full of houses with porch, overwhelming heat, passionate love, excesses and small follies. If we look back, doesn't this remind us of any of her first video clips? The rebellion that takes hold of the naive and innocent girl. But now we discovered that this disobedience lived asleep in Lana and only needed something or someone to wake her up. Now, with Norman Fucking Rockwell!, her sixth album, the artist decides to return to that American dream town in an improved way. Baptized with the name of an American artist famous for his customary images, Lana will follow her trail of creating everyday female characters with every bit of her personality. On the cover of this project, in the purest Rockwell style, Del Rey reaches out to us, hoping we will take it and thus have the pleasure of accompanying her on her deepest journey.
I have been a Madonna fan since I was 12 years old when her song Borderline reached the Philippines and promptly became a favorite dance song during our school soirees. Throughout her illustrious career though, it is only with her latest album Madame X that she has gone all out to sing about issues that affect our world today – and it does befuddle a long time fan like me, who is used to hearing her sing about sex, partying, having fun, and doing all the other crazy things young people are wont to be doing. So, I admit it was a bit uncomfortable to hear her become serious and sing about songs on gun control, about espousing LGBT rights, which got me thinking, was she trying to save the world, now that she has reached the ripe old age of 61? She did say in one of her interviews to promote the album, that she did what she did in this album because she felt no one was saying anything about these issues – that because of her celebrity status, she felt she had to say something – even if it meant it would be uncomfortable for her fans to hear. I did feel that way. I wouldn’t mind saving the environment or standing up to LGBT rights but to hear it as music is different because I prefer my music to be stress-free and relaxed. It was my sanctuary from the craziness of this world. However, Madonna does have a point. If she doesn’t use her stature to at least make people take notice of these world issues, then all her popularity would just be a waste.
“Kristal Clear” Mixtape Is A Fine Show Off Of Some Rap Skills That Bares Up All Our Imperfections And Spares No One
Have you ever come across a work of art and thought to yourself, "If only the whole world will see and experience it the way I have?". That was how I felt when I listened to upcoming Nigerian rapper, Kristal's debut body of work Kristal Clear mixtape. The Kristal Clear mixtape is a collection of all the songs Kristal has ever released. You know that moment when an artist begins to actually work on his own songs after convincing himself that he wants to do music full time? That is actually the type of songs Kristal included in this body of work. Songs in that category are usually not up to taste, are flawed, or are almost always half baked. But these songs are also usually the most precious to these upcoming artists, and hold the most endearing stories of them. The songs in the Kristal Clear mixtape are like that in a way, but are different in an interesting way. While they are his very first works in music, they show so much maturity and experience on his part. The Kristal Clear mixtape is not your regular music project. It is a carefully created body of work that seeks to entertain and educate it’s consumers. It is a crystal clear message for everyone to sit up and adjust to the new ways of doing things that actually work, and it spares no one, not even Kristal himself. It contains 10 tracks made up of two skits, two refixes, and six originals. The project features his boss who also doubles as the project’s executive producer, Yung Roc, and another Nigeria born rapper, Pohzitive of Imo State origin. Production credits goes to producer Dcube Tha Beatkilla, and it was mixed and mastered by Yung Roc at the beats by Roc studios in Imo State, Nigeria.
Bebe Rexha's new single “Not 20 Anymore” is a desperate cry to shake off labels, preconceived ideas and prejudices of society. Stronger, more experienced, more determined and, above all, more aware of how to live your life. That is what the singer tries and manages to convey in her song. Aided by the testimonies of the boys who participate in the video, the theme makes much more sense and makes us all think, so that once and for all we get away from the stupid ideas about beauty at a certain age and the absence of it in other stages of your life. Undoubtedly interesting, the way in which Bebe Rexha says that there are many things in which being over twenty years old is even more valuable. It is great to finally see a clear and simple statement and a clear claim against society's ideas about age. Hopefully it will be a theme that everyone of all ages gathers, so that those who still have these false conceptions of beauty, understand that it is not so. Speaking of this artist, it is a pleasure to have something else to offer, something that makes us reflect and open the debate about this and many other things that harm us as a society.
Despite the playful persona that Shawn Mendes displays on his songs he has actually been working very hard. Ever since Shawn became a celebrated pop star, he had been making extreme effort to grow in the music industry. While there a number of tested ways to grow in the music industry the Canadian star chose to forge his path. He experimented on a number of styles both good and bad in combination with his unique sound and that effort is what resulted in the fabulous track showcased on his self-named album. A lot of years have passed since the star released his debut album and with those years he has acquired a lot of experience in respect to romance and women. Consequently, his sound on the songs is more mature and believable. There is something in the way he sang on this album that will convince you that he knew exactly what he was talking about. From day one, Shawn always had a different perspective from youths his age. He always went for the best. Not surprisingly, his albums sound better with each release. He put an unusual amount of effort in this album though. Firstly, he collaborated with a handful of artists when he was recording this album. Secondly, he did not just play the role of song creator but he was also the executive producer of the album. In a way, young Shawn has become his own boss. The album was an extreme success though. The album topped the charts in both his home country, the United States, Australia, Belgium and three other countries. It debuted in the top three in the United Kingdom. If that is not an example of commercial success to you then your opinions are henceforth irrelevant.