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      Money On My Mind
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      Money On My Mind
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      Money On My Mind
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      Money On My Mind
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      Money On My Mind
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      Good Thing (Lyrics Video)
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      Good Thing
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      Good Thing (Covered by Jonathan Cuevas)
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      Good Thing (Covered by Jakkariah)
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      Good Thing (Covered by Christine)
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      Good Thing (Covered by Ben Fankhauser)
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      Good Thing (Covered by Stefan Mercer)
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      Good Thing (Covered by Olivia Brooke)
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      Stay With Me
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      Leave Your Lover
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      I'm Not the Only One
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      I've Told You Now (Live from dscvr 2014)
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      Like I Can
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      Life Support
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      Lay Me Down
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      Latch (Acoustic)
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      La La La (feat. Sam Smith)
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      Make It to Me
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      Drowning Shadows
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      Love Is a Losing Game
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      Nirvana (Live from Free Radio 2014)
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      How Will I Know (Live from SiriusXM 2014)
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      How Will I Know (Covered by Whitney Houston)
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      How Will I Know (Covered by Ignatious Carmouche)
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      How Will I Know (Covered by Whitney Houston)
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      Omen (Acoustic)
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      Omen (Acoustic) (Covered by Tessah Dunn)
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      Omen (Acoustic) (Covered by Arvin Tiongco)
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      Omen (Acoustic) (Covered by Costantino Carrara)
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      Omen (Acoustic) (Covered by Kevin Bazinet and Alicia Moffet)
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      Omen (Acoustic) (Covered by NiccoloGranieri)
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      Latch (feat. Disclosure) [Live from Madison Square Garden]
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      Remix 1
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      Latch (feat. Disclosure) [Live from Madison Square Garden] (Remixed by Broke)
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      Latch (feat. Disclosure) [Live from Madison Square Garden] (Remixed by Lost Kings)
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      Latch (feat. Disclosure) [Live from Madison Square Garden] (Remixed by DJ Premier)
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      Latch (feat. Disclosure) [Live from Madison Square Garden] (Remixed by Nick Cahill)
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      Latch (feat. Disclosure) [Live from Madison Square Garden] (Remixed by Jamie Jones)
      Remix 7
      Latch (feat. Disclosure) [Live from Madison Square Garden] (Remixed by Oliver Heldens)
      Remix 8
      Latch (feat. Disclosure) [Live from Madison Square Garden] (Remixed by Ehrling)
      Remix 9

Narratives(15)

Jun 20, 2019

The Piano, His Vocals, Or The Melody, Which Attracts You Most To Sam Smith's "The Thrill Of It All" Album?

Sometimes when people ask questions that they don't need your candid opinion on, but just want your affirmative answer or some sort of agreement, they end it with yes or yes?, right or right? etc. Like, you are a student, yes or yes?, tea is something you drink in your home every morning, yes or yes? That's because they have already convinced themselves and concluded in their minds that there can only be one correct opinion or answer about the matter and that that correct opinion is there's. It's a fun thing to do actually and most times it is not to be taken very seriously. Of course people will always have the right to offer their candid opinions on matters too and that's just fine. It doesn't matter if their opinion is right or wrong, it's a right they have, and that brings me to my question. If you've listened to Sam Smith's The Thrill Of It All album, do you think it is fantastic or just phenomenal? Here's another word "Badass"? Yes I have listened to that piece of music and I have convinced myself and concluded that it is great. But not everyone will feel the same way and that is fine because of the obvious - people have a right to their opinion. But what if you have not listened to it yet? Could my opinion influence you and probably move you to take a decision? I'm hoping that the latter happens. I am not going to be like most people who just want others to flow with their opinions on matters of personal interest, so I'm not going to force an answer on you. But whatever happens, there are certain elements of this album that are very obvious and cannot be easily overlooked. Elements that are deeply rooted in the whole essence of why music is made. This simply means that this album has different features including the message passed, the correlation, but among them the most conspicuous are the use of the piano, the vocals and the melody.

Written by @timuwakwe from NaviCorp
Jun 14, 2019

The 27 year old musician delivers his second stunner- an album full of heartbroken emotions

The twenty-seven-year-old English musician Sam Smith, who has worked on a range of music genres including soul, R&B and pop music, has released his second studio album The Thrill of It All in November 2017 through Capitol Records which is composed of genres like soul and orchestral pop. Before this, his debut album In the Lonely Hour that was released in 2014 was extremely successful and twelve million copies were sold worldwide. The album The Thrill of It All has a total of ten tracks that run for an overall approximate time of thirty-six minutes. Later, four additional bonus tracks were added in the special edition. The album mostly received positive reviews from the music critics and listeners. The Rolling Stone Magazine, NME, and British newspapers like The Daily Telegraph and The Independent rated the album 4 out of 5 stars, while AllMusic and Siant Magazine rated it 3.5 stars. The Daily Telegraph and The Independent were largely positive about the album and they praised Sam Smith’s vocals, calling them “supernatural” and “wonderful”. AllMusic placed the album above the previous one because of the consistency and intensity. However, it also received some mixed reviews. The Guardian rated it 3 stars stating that it could be much more potent album if it was polished a little more. The Observer rated it only 2 stars stating that there is just “plenty of shorthand (sad pianos)” and “a total absence of risk”. The album received an overall aggregate score of 72 on Metacritic. The album also received significant commercial success in various countries across the planet. It was featured in many music charts across the world and it also debuted at the number one position on US Billboard 200, Canadian Albums (Billboard) and in countries like the United Kingdom, Ireland, Denmark, Belgium, Norway and Netherlands. The album was also featured at number two at the ARIA Albums Chart in Australia. Overall, this is indeed a wonderful album with captivating piano tunes, chorus sections, handclaps and Sam Smith’s excellent vocals with whispering high tenor and great falsetto techniques.

Written by @Soulbyweekly from SoulByweekly

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