She Might Call The Album ‘Younger Now’, But Miley Cyrus Is Officially A Very Mature Artist
As of the late 2017 release of Younger Now, Miley Cyrus had established herself as one of the most mercurial Pop stars of her age range, certainly as ambitious as Lady Gaga, if not a little behind in a race that started before Cyrus was old enough to make mature musical decisions. This maturity developed quickly, and while she can be forgiven for the teen friendly Pop of her first several albums, it seems to me that things got halfway serious with the very commercially successful Bangerz, all the way serious with the risky experimentation but much more aesthetically complex Miley Cyrus & Her Dead Petz, and undeniably serious, but in a drastically different way, on the Countrypolitan masterpiece Younger Now. I am a so-so Country fan as I often tell people, but am really passionate about the interesting chords and image conjuring power that neo-traditional versions can sometime possess. Cyrus’ efforts here transcend Pop, yet don’t completely bow down to a strict Country code, and rather, the Country Pop sub genre, if we can start from there as a classification, is turned on its head here through the infusion of Dream Pop, New Wave, Hippy Revivalism, Dance Pop, and Electric Rock. To be so young and to have mastered all these disparate sounds into one cohesive experience is quite a feat, one I am fully appreciating now.