Mac Miller

31 albums, 245 tracks

Born in Jan 19, 1992

Rap

Narratives

"Mac Miller"

May 24, 2019

Mac Miller Confirms that God is a Woman on The Divine Feminine

adelemarie
Written by @adelemarie from JustAdeleMarie  / 6 mins read
#HipHop#MacMiller#TheDivineFeminine#ClassicRegional#MainstreamRap

Like usual, the death of an artist makes them more popular. No matter how sad it is, that is just the way it works. I personally have heard maybe a handful of some of Mac Miller’s old songs, like mixtape songs, but finally got around to listening to one of his albums. Which one did I start with? Obviously the one that was rumored to be about Ariana Grande, which was just a rumor she has one song dedicated to her. The one in question is his fourth studio album The Divine Feminine. The album features the clearest concept in comparison to his other works, and the concept is all things love. He not only talks loving women, but compares spirituality and the universe to a feminine energy and brings on a few popular features to help him do it. Now, even though I was not an avid fan of Mac’s while he was alive, when I found out he died, I was a wreck. I don’t know if I was the only one, but I took his death very hard, and have been wanting to listen to this album in particular since. So I finally did and it was so freaking beautiful, oh my God (is a woman).

Funky Jazz Rap Songs

We start the album with “Congratulations.” It is a track that Mac uses a piano led ballad to rap about a girl that Mac loves and has a lot of history with. He also has a ton of memories with her and talks about waiting for her because he finds her so divine, which probably inspired the album name. The track features Bilal and a female voice whispering and introducing the album. This is the way he would intro his mixtapes as well, so super reminiscent. Even though it is the first track on the album, it might have been my favorite. I love that it is a slow piano ballad that he uses to rap on, it is super unique. I also don’t know of any other rapper that could pull it off like he did. Next we have “Dang!” It features Anderson .Paak and is about trying to get your girl back and shows his sensitive side which is a side that Mac is familiar with sharing, but is a bit taboo in society. It is a jazz meets funk meets R&B rap tune that is what I think my grandmother would consider Swanky. It is followed by a track that is back to a rap tune. “Stay” is a song that begs his girl to stay with him rather than leaving every night. It features a trumpet beginning but the beat comes in and we have a rap track with the first verse.

The Song For Ariana Grande Is in this Paragraph

Moving on with the album and the theme, we get to the next song titled “Skin.” I only know two songs named ‘skin’ and both are super about sex, and this one is no different. Like the rest of the album, it talks about his sexual and romantic relationships. In addition to that, the song is easy listening and sensual and captures a jazzy R&B style which is different than his usual style- or any rapper’s style at that. The next song is the only song on the album that samples another. “Cinderella” is sampling a song by Tokyo Police Club called “Tessellate.” The song features Ty Dolla $ign and depicts vivid feelings for a special someone, which in this case is actually Ariana Grande. It is a slower rap beat that comes to an end with a piano that emphasizes the love and emotion on the track. The song that ties together his idea of a spiritual divine feminine is called “Planet God Damn.” He does this by characterizing the woman shown in the song as a god. It features Njomza and a synthetic beat track for Miller to rap while Njomza brings the R&B feel into the track on the chorus.

Ending a Love Album With a Love Song

The song “Soulmate” uses a clip from the movie Good Will Hunting to open the track- is that still considered sampling? Oh well. So the song contemplates the meaning of the word soulmate and is fueled with synthetic beats and a fun melody. A song featuring Ceelo Green, titled “We” is a bit of a jazzy tune. The song seemingly is showing a shy side of Mac that loves a girl but is too timid to make things official, but is followed by a song of a much different tone. “My Favorite Part” not only features his girlfriend at the time, but also includes a jazzy beat with a heavy bass. The song revolves around the lovely couple expressing their love for one another and allows their vocals to blend beautifully over the chorus. The last song on the album is titled “God is Fair, Sexy Nasty” and features Kendrick Lamar. On the song Mac shows off his abilities in the lyric field with the powerful feature. It is a ballad ending with a powerful message of love in order to close up an album about love. It is the longest track on the album, coming in at about eight minutes, but around minute six it turns to a piano led track featuring his grandmother talking about her husband. With listening to this album, I learned that it is Not like other rap albums that are pure beat and synthetic sounds, he created a musical masterpiece with tempos and instruments you wouldn’t think to rap on. It makes me a bit sad that I didn’t listen to him while he was alive besides a few here and there… Rest in Peace Mac.

Apr 12, 2019

Mac Miller Really Hit His Stride With The Exceptionally Good The Divine Feminine

camjameson
Written by @camjameson from Extraneous Routes  / 9 mins read
#MacMiller#HipHop#TheDivineFeminine#ClassicRegional#MainstreamRap#FunkGroove

To say I’ve been hip to the charms of deceased rapper Mac Miller before this past year would be a bold-faced lie, but I couldn’t be any happier that now that I’ve actually given his music a chance – Now, I know what you’re thinking, but it’s not merely his untimely passing that got me hooked on the Pittsburgh native’s body of work, rather a chance encounter with his music nearly two years ago whilst up late doing some data work for my job. You see, I’d been purposely avoiding his music for years before then, constantly getting him confused with NF, Logic, Macklemore, G-Eazy or any of those other up-n-coming white rappers who were starting to get big around 2013, finding all of their flows to be so incredibly banal & cookie-cutter-ish in comparison to the serious hood hooks I grew up with being raised in the Bay Area; Nothing any of these guys released ever caught me in a way that felt inspiring & I didn’t want to support the media machine who were simply praising them for being Caucasian rather than for the talents when there were so many underground rappers out there absolutely killin’ it, so I shut myself off entirely from what they had to say, ultimately lumping Miller into the same group like a damned fool – Boy, what a mistake that was. I liken it to being a picky eater as a kid who would only eat chicken-strips & fries for pretty much every meal; I was denying myself so many fantastic meals throughout my childhood, not only messing with my internal health but damaging my outward appearance ‘cause I was now known as that idiot who’d go out on a date & order the chicken teriyaki instead of something adventurous like maguro or unagi, proving to the world that I wasn’t mature enough to put aside my preconceived notions & try something new for once. Well, much like I’d eventually open up my palate to everything offered my way, becoming a professional chef who now tries to convince his girlfriend to eat outside her comfort zone, my musical prejudices would eventually lighten up in the last couple of years as well, with Miller’s The Divine Feminine being one of the many overwhelming surprises I experienced once I stopped being such an incredible hater – I’d like to say that the wait made his reveal that much better, but I can’t forgive myself for being such an incredible asshole all this time when he had so many dope rhymes to share with me when he was still around.

A Glimpse Of Bliss Amidst Utter Tragedy

It’s late-2017. I’m scrubbing through Ariana Grande’s wonderful One Love Manchester concert for work, the one she put on in the wake of the suicide bombings not long beforehand, essentially marking down time-codes for all the different performances within so we could upload the entire performance to VIBBIDI in a more enjoyable format. The concert was all fine & dandy on its own, with some pretty heartfelt moments coming from the barely-holding-it-together Grande & some delightful cameo performances strewn about from big acts like Dua Lipa & Sam Smith, but it wasn’t until Mac Miller hit the stage to perform with her that I found myself actually stopping dead in my tracks to listen to the performance itself instead of simply rushing through the work as fast as I could. At first it was just a mild bit of intrigue that caught my attention, wondering if this guy could actually spit in a live performance unlike his hack of a contemporary rapper Macklemore, but then I heard the most delightful bassline start to bounce away in the background that slapped me in the face with the Funk, shocking my classically-trained Jazz-cat self & slapping me in the face with pure grooves I just couldn’t deny, ‘causing me to explore further – That song, of course, is the incredible jam “Dang! (feat. Anderson .Paak),” easily the best mainstream song Miller’s ever released & the single I always go back to on The Divine Feminine whenever I need to defend his honour. This track has everything: Sick bass grooves, an ethereal glow of early-nineties Maxwell-like R&B energy, a Soulquarian narrative thread, slick rhymes from Miller & Anderson .Paak as well as some truly skillful lyrical flow you just weren’t seeing from younger rappers at the time. Of course, this performance wasn’t actually featuring .Paak himself, but somehow Grande’s inclusion actually made it all the more enjoyable as the two fed off each other so brilliantly, clearly infatuated with each other & sharing in the mutual bliss of melody – Naturally, I was hooked, realizing I’d been an absolute prick for too long before this, spending the next couple of weeks thumbing through his discography & picking out my favourite moments for new summer-jam mixes I was making. Honestly, if it weren’t for this song, I’d probably have had no connection to Miller’s music whatsoever, which in-turn would’ve lessened the impact of his death to being just another celebrity I had no idea about.

More Than Just Some College Dropout

A lot of what made me hesitant about jumping onto the Mac Miller bandwagon before this was the relative predictability of mainstream Rap from 2008 to 2013; Everyone had the same collegiate flow, sporting a faux-conscious songwriting aesthetic with some of the most forced rhymes ever, this sing-song-y speaking cadence that felt like a Poli-Sci major trying to talk down to you, bombastic beats that fed off of EDM sonic techniques & a whole bunch of undeserved bravado which showed how unfathomably young & stupid all of these rappers were. I’m not trying to say any of that aesthetic has gone away, of course, as Trap quickly swooped in around 2014 & fucked things up for an entirely new generation, but in both eras there are of course exceptions to the rule & Miller managed to sneak his way out of the filth to be one of the few heavy-hitters by employing some truly skillful songwriting in The Divine Feminine – For example, check out the introductory track “Congratulations (feat. Bilal).” It’s a fairly simple tune, serving as the tone-piece for Miller to narrate the flow of The Divine Feminine, but it goes so much further than just surface level, illustrating to the listener his deep connection with Hip Hop culture, his love for R&B music, his understanding of Jazz & his desire to be as real as possible in his tracks, a far-cry from the braggadocios attitudes of his nearest competitors. “Congratulations” features a surprisingly well-developed story that’s thoughtful & rhythmically-intriguing, but the best elements are of course the light twinkling of a grand-piano playing bright, dynamic chords & the occasional symphonic string swells which fill out the background in such exquisite detail, reminiscent of the sort of cinematic scale you’d get in the soundtrack for an Indie film set in New York. Something about the way that piano emotes is so very New York; The way Miller tells it like it is is so brash & up-front like a New Yorker too, despite actually being a Pittsburgh guy – To be fair, I’ve never been to Pittsburgh, so that big-city vibe I’m describing could very-well be what his hometown is like, but whatever it is I absolutely love it & it does a fantastic job of showing you just what kind of guy Miller is from tip-to-tie.

A Visionary Flying Under The Radar

Perhaps what really caught my ear on The Divine Feminine is just how malleable Mac Miller is stylistically throughout the entire album. I’d alluded to it before, but there’re so many killer examples of his sonic education across the record, from elements of Psychedelic Neo Soul in the heatwave-inducing “Skin” to a not-so-rigid rendition of Trap aesthetics in the track “Cinderella (feat. Ty Dolla $ign),” even taking a dip into good-ol’ Jazz with “God Is Fair, Sexy Nasty (feat. Kendrick Lamar),” really taking you out on a high note as you finish the whole experience; The fluidity with which he traverses each genre is downright impressive & his ability to do so without losing the integrity of his vocal track is a feat in & of itself, especially when put up against heavy hitters like Kendrick Lamar & CeeLo Green - Unlike his Caucasian contemporaries, Mac Miller exudes confidence in every line he shares & a expresses a true understanding of what it’s like to grow up on the streets with this music deep down in your soul rather than trying so desperately to evoke an image of Hip Hop like those he shares the mainstream light with often do. He breathes it; He lives it; It’s all so natural for him & you can absolutely tell by the way he incorporates other genres into his music, always incorporating elements of the road less-traveled into his work to show that he’s a student of the craft & not just some surface-level poseur – This would obviously come to define his next album Swimming even more, as more Funk & Soul elements pervade that album like a dark plague, showing the true extent of his artistry, but I really feel like The Divine Feminine is where this incredible momentum really got started. It’s a shame he’d go on to leave us only a few short months later, as he really was one of the most gifted lyricists of his demographic, but somehow it couldn’t have gone any other way, as the most talented individuals always leave with a bang rather than with a whimper…

Enjoy Swimming, An Album From A Life Long Musician Who Had A Life Cut Too Short

Rapper Mac Miller was a multi-instrumentalist by age 6, and setting his sights on Hip Hop, he devoured the genre while developing his skills and style. 5 albums later, his legacy seems intact as an underground meets mainstream rapper, who was also weed promoting, sonically diverse, and a jack of all trades. The album Swimming shows Miller as a lover of old school funk instrumentals, a far cry from the sounds of his mixtapes a decade ago. The content therein also delves into a healing process, with personal demons explored in a damning yet therapeutically positive way - finishing on an ambiguous note as to whether he will overcome it all. As we know by now, only a month later, he would be dead, succumbing to those demons of addiction - a killer concoction of alcohol, fentanyl, and cocaine.

Written by taylor / Feb 01, 2019

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Biography

"Mac Miller"

Born

    1992-01-19

Active

    2007–2018

Label

  • Rostrum
  • REMember
  • Warner Bros.

About

Malcolm James McCormick (January 19, 1992 – September 7, 2018), known professionally as Mac Miller, was an American rapper, songwriter, and record producer. Born in Pittsburgh, Pennsylvania, Miller began his career in the city's hip hop scene in 2007, at the age of fifteen. In 2010, he signed a record deal with Pittsburgh-based independent label Rostrum Records, with whom he had his breakthrough with the mixtapes K.I.D.S. (2010) and Best Day Ever (2011).
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