Coming A Out A Year After His Self Titled Album, Kane Brown (Deluxe Edition) Adds Four More Tracks For Your Modern Country Enjoyment
While I’m not blown away by the sounds of Modern Country, I feel like giving my brotha Kane Brown another spin and revisiting his self titled album now that it adds several songs to the experience. The deep baritone is still intact, and while I have heard some commentators complain that the young man sounds pretty flat here and there, I would say that in the low register where he is most powerful and compelling – and that is his whole modus operandi anyways listening to his catalogue. Vocally speaking, of any of the new artists on the scene, I actually find Kane Brown’s to sound very traditional and masculine, and therefore don’t understand some of the hate, saying he is not Country, etc. Hell – are they even listening to this cat’s serious cowboy drawl? Sometimes it can sound borderline caricature, like actor Sam Elliot singing in a Coen Brothers’ western themed dark comedy. Of course, there are plenty of alternative examples of Kane Brown going the other direction depending on the demands of the track; on “Hometown”, the energy is explosive and club-worthy, with the singer aiming for higher notes on the celebratory hooks which better match the distinct mix of Electronica and Rock rhythm. And on an even poppier example “What Ifs”, Kane Brown can be heard employing both singing high and low styles on one individual track – which may not be my favorite arrangement on Kane Brown (Deluxe Edition), but is definitely a worthy example of his exciting brand of Country Pop. Mind you, this isn’t the type of music that I would personally bump, even if I had a Tacoma truck, but I can certainly see it’s mainstream appeal, as in this regard, most of the tracks get the job done.