AlbumbyJ. Cole

Released in 2018, 12 tracks, 46 min

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Album Info (1)



J. Cole Turns His Spotlight On Drugs

KOD, which can pass as Kids On Drug/Kill Our Demons/King OverDosed, is J. Cole’s fifth album and the third our in a row to be without a feature, with 2014 Forest Hill Drive and For Your Eyez Only being the first two in the no feature album series. Like the ones before him, the album didn’t enjoy proper marketing before it’s release. He just had two listening parties for this one which was on a first come first serve basis at the venue; no vip or special treatments, just show up, if there’s still an unoccupied seat, you get it. What a guy! KOD focused on the main problem of the society, young and old one kind of problem, Drugs. He preaches the evil drugs alone cause, dreams destroy by drugs, lives cut short because of drugs, the celebration of drug use and actually use of drugs in the music video by new Generation rappers or Trappers or Mumble rappers, as they prefer to be called. He addresses their loss of focus and direction as the drug usage keeps pushing them to make avoidable mistakes and reckless decisions. He addresses personal issues that hit home with his mom’s addiction also. The only feature on the album was his alter ego kiLL edward, a low pitched version of himself, which is believe to be his stepfather’s name and the fact that he thinks of killing his expresses how he feels about the abuse he, his younger brother and his mother suffered from him, which was a major factor that led to his mother’s addiction to alcohol. He also addressed greed in “ATM”, showcasing the extent folks will go just to make a dollar; losing dignity and integrity just to keep up appearances. It also addressed taxation by the Government and how much its weigh people that it could be a factor behind the addiction and he didn’t forget to touch depression. The album still had the Timbaland bass line, but this time J. Cole incorporated a Jazz feel into his sound and he has really grown into a wonderful producer over the years as the sound was a lot smoother and clearer than other song, and the use of bass guitar in a few of the songs shouldn’t be overlooked as well, probably it’s a new style he’s trying to cultivate for himself to make his own. The album was released on 4/20, which is a code associated with marijuana and that in itself is a statement. The album clocked 397,000 copies in the first week, making it his fifth album to clock number one, and it also went on to be certified Platinum in December 2018.

Written by @OBP from Omobaba Pension
Jul 04, 2019

J. Cole Delivers A Necessary PSA On KOD

When it comes to Fayetteville’s proudest son, numbers just don’t do him justice. At the time of writing, J. Cole has 5 top 10s. A special feat indeed, but lacking when compared to peers Kendrick Lamar and Drake (who boast 8 and 33 respectively.) His highest charting single is the T-Minus-produced “MIDDLE CHILD” which peaked at #4, while Kendrick and Drake each have multiple #1s to their name. But somehow, when we debate Hip-Hop as we so often do, Cole’s name comes up in conversation amongst these heavy hitters, seldom as an afterthought and often ahead of them. Why is that? The simple answer is the groundwork he laid for years, touring the world and putting out free music. He also has a way of giving it to you straight on records with the fine balance of not being overly ‘lyrical miracle’ but not dumbing down so much either. His relatability factor is through the roof and the way he interacts with fans is second to none. That’s exactly why on April 16th 2018 when he tweeted for people to go to the Gramercy Theatre in New York with a message that read “no phones, no cameras, no bags, no press list, no guest list”, it received thousands of retweets immediately and fans in New York dropped everything they were doing to get to the theatre. He did the same the next day for London, but by then he’d already announced that his new album KOD would be out that Friday on 4/20. That only increased the hype for Londoners like myself.

Written by @Akaash from Hip-Hop-N-More
Apr 26, 2019

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Album Info




  • Apr 20, 2018


  • Hip-Hop
  • Rap


  • Dreamville
  • Roc Nation
  • Interscope


  • Jermaine Cole (also exec.)
  • Ibrahim Hamad (exec.)
  • BLVK
  • Mark Pelli
  • Ron Gilmore
  • T-Minus


  • The Sheltuh (Raleigh, NC)
  • Zanzibar
  • Italy


KOD (an initialism for Kids on Drugs, King Overdosed and Kill Our Demons) is the fifth studio album by American rapper J. Cole. It was released on April 20, 2018 through Dreamville Records, Roc Nation and Interscope Records. The majority of the production on the album was handled by Cole himself, along with others such as T-Minus, Mark Pelli, BLVK and Ron Gilmore. The album incorporates elements of jazz rap and trap, Cole has stated that the production and rhyme schemes used throughout the album was inspired by SoundCloud rap. The album explores a variety of topics including drug abuse, addiction, depression, greed, African-American culture, and taxation in the United States.
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